now look, mate, I've definitely 'ad enough of this. Owner: Yeah! You stunned him, just as he was wakin' up! Norwegian Blues stun easily, major. Praline: Now that's what I call a dead parrot. Throws it up in the air and watches it plummet to the floor.) (Takes parrot out of the cage and thumps its head on the counter. Praline: (yelling and hitting the cage repeatedly) 'ELLO POLLY! Testing! Testing! Testing! Testing! This is your nine o'clock alarm call! Praline: No, he didn't, that was you hitting the cage! Praline: All right then, if he's restin', I'll wake him up! (shouting at the cage) 'Ello, Mister Polly Parrot! I've got a lovely fresh cuttle fish for you if you Praline: The plumage don't enter into it. Owner: No no he's not dead, he's, he's restin'! Remarkable bird, the Norwegian Blue, idn'it, ay? Beautiful plumage! Praline: Look, matey, I know a dead parrot when I see one, and I'm looking at one right now. Praline: I'll tell you what's wrong with it, my lad. Owner: Oh yes, the, uh, the Norwegian Blue. I wish to complain about this parrot what I purchased not half an hour ago from this very boutique. Praline: 'Ello, I wish to register a complaint. The tracklisting of this album is a series of readings which include excerpts and not always the whole of the original verse.Mr. Recording engineers: Mike Hernandez, Pepe MayrenĬharles Deenen at Interplay, Mark Creamer at Sounder Recording Studios, Daniel & Irena Prager. *Song Of Myself (Music) ‘El despertar del mago’Ĭomposed, Performed and Produced by: Antonio Garcia Isaac Music Created and Arranged by: JJ SMITĬreative Assistant: Valerie Bryant / Trudy Reynolds Mixed and Mastered by: JJ SMIT at Roseland Recording Studios, Moorpark CA and Interplay, Irvine CA on Euphonix TM.Įxecutive Producer: Trudy Reynolds / JJ SMIT Recorded at Roseland Recording Studio by JJ SMIT.Īdditional Recording at Sounder Recording Studios, Granada Hills, CA. A special thank you to Daniel and Irena Prager for their support which will allow us to continue in our work.Īll Tracks Except * Produced by JJ SMIT – 310 Entertainment. A personal thank you to Terence Trent D’Arby, I appreciate his assistance and encouragement in the formation of the Academy. Thank you to all the students of at the Academy of European Arts and Culture. To JJ SMIT, who walked me through the technical world of recording, for his patience with my inexperience and for his production of this project and creation of the great musical score. I would especially like to thank: Trudy Reynolds, for having this vision as well as the foresight to understand our aim. It is the aim of the Academy to open these envelopes, apply and resurrect their contents. However, each discovery had become the property of the professors who stored and amassed it unused and only repeated it parrot fashion, passing it faithfully in a sealed envelope, unopened from generation to generation. When I began my spiritual quest in earnest, it was to the past I looked and consequently uncovered the most sublime answers, which for various reasons became lost or misunderstood.Īt the Academy Of European Arts and Culture, we researched into Europe’s past and realized it was not spiritually barren, as most people thought, but rich and ripe in its understandings. Since the beginning of civilization man has asked the same questions and has applied himself diligently to seeking answers. In today’s world where people are searching for answers to their deepest questions about man, his soul and their respective destinies, it is easy to overlook the fact that we are not the first generation of human beings.
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